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Uncompromising and remarkably innovative, Bridget Riley is one of the most respected artists working today. This comprehensive survey of Riley's 40-year career, published to accompany a major exhibition at Tate Britain, London, includes key examples in lush colorplates of all phases of her work. Riley first attracted critical attention with the dazzling black-and-white paintings she began to make in 1961 under the "Op Art" banner. Popularized through the mass media and widely "borrowed" by the fashion industry, these images came to epitomize an era. Since then she has remained at the forefront of developments in contemporary painting, making highly distinctive works that articulate an abstract language in which relationships of color and form generate powerful visual sensations. Each new development in Riley's work generates fresh interest in her art. Here, Paul Moorhouse, Richard Shiff, and Robert Kudielka provide an overview of her work and career, and fresh analyses of the ways in which her work relates to theories of aesthetic perception.

This study explores a tradition of interracial unionism that persisted in the coal fields of Alabama from the dawn of the New South through the turbulent era of World War I. Daniel Letwin focuses on the forces that prompted black and white miners to collaborate in the labor movement even as racial segregation divided them in nearly every other aspect of their lives. Letwin examines a series of labor campaigns - conducted under the banners of the Greenback-Labor Party, the Knights of Labor, and, most extensively, the United Mine Workers - whose interracial character came into growing conflict with the southern racial order. This tension gives rise to the book's central question: to what extent could the unifying potential of class withstand the divisive pressure of race? Arguing that interracial unionism in the New South was much more complex and ambiguous than is generally recognized, Letwin offers a story of both promise and failure, as a movement crossing the color line alternately transcended and succumbed to the gathering hegemony of Jim Crow.

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Chinese era name - A Chinese era name (traditional Chinese: å¹´è™Ÿ, simplified Chinese: å¹´å·, pinyin: niÃ¡nhÃ o) is the era name, reign period, or regnal title used when traditionally numbering years in an emperor's reign and naming certain Chinese rulers (see the conventions). Some emperors have several era names, one after another, where each beginning of a new era resets the year back to one or yuÃ¡n (å…ƒ).

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